MAIN COMPETITION MARKING CRITERIA
| SWORD HANDLING | | DANCE TECHNIQUE / TEAMWORK |
| 15 |
- Swords kept high/hands together all of the time
- All swords move together
- Good shapes with smooth movement and transitions
- Skilful use of swords to create shape and excitement
|
15 |
- All dancers working in complete harmony
- Set is controlled and tight
- Clear shapes and spacing throughout
- All set movements appear effortless
|
| 14 |
+/-
|
14 |
+/-
|
| 13 |
- Swords kept high/hands together most of the time
- Movement and shapes good
- Display figures tidy
|
13 |
- Dancers working together as team
- Smooth movement in figures
- Set has control
|
| 12 |
+/-
|
12 |
+/-
|
| 11 |
- Good shapes at times but not maintained throughout
- Good height but still some low swords
|
11 |
- Dancers working together as team
- Some lack of fluidity between figures
|
| 10 |
+/-
|
10 |
+/-
|
| 9 |
- Majority showing knowledge and ability of handling
- Some lack of consistency
|
9 |
- Individual figures apparent
- Some good team movement
- A little set wandering
|
| 8 |
+/-
|
8 |
+/-
|
| 7 |
- A few hands kept together/held high
- Some dropped swords
- Some control and understanding of basic principles
|
7 |
- Team mostly moving together
- Set figures have some shape
- Transitions not smooth
- Some set wandering
|
| 6 |
+/-
|
6 |
+/-
|
| 5 |
- A few hands kept together/held high
- Some dropped swords
- Little shape or controlled movement
|
5 |
- Showing some co-ordination as a team
- Some figures ragged lacking control
- Set moves around
|
| 4 |
+/-
|
4 |
+/-
|
| 3 |
- Arms very tense
- Little familiarity with the swords
- Some dropped swords
|
3 |
- A little co-ordination of movement
- Poor timing and control
- Set moves around
|
| 2 |
+/-
|
2 |
+/-
|
| 1 |
- No understanding of basic principles of sword handling
|
1 |
- No discernable Rapper figures
- No co-ordination of movement
|
| MUSIC | | PRESENTATION |
| 15 |
- Music is an integral part of the dance
- Exceptionally well played and planned out
- Music fits, lifts and drives the entire dance through rhythm/key/tune changes
|
15 |
- Very smart, tidy matching kit
- Kit harmonises the overall presentation
- Team appearance when entering/leaving stage
- Positive confident air among dancers throughout
|
| 14 |
+/-
|
14 |
+/-
|
| 13 |
- Changes in tune or rhythm fit the dance and are well timed
- Music well played and compliments the figures
|
13 |
- Smart, tidy, matching kit
- Dancers confident, enjoying the dance
- Team appearance when entering/leaving stage
|
| 12 |
+/-
|
12 |
+/-
|
| 11 |
- Variation and changes in tunes
- Playing for/with the dancers
- Emphasis in the tune to bring out rhythm of dance
|
11 |
- Smart, tidy matching kit
- Dancers confident, enjoying the dance
|
| 10 |
+/-
|
10 |
+/-
|
| 9 |
- Variation and changes in tunes
- Steady rhythm
- Playing for/with the dancers
|
9 |
- Smart matching kit
- Some untidiness during dance (shirts, sashes come adrift)
- Most dancers smiling/appear confident
|
| 8 |
+/-
|
8 |
+/-
|
| 7 |
- Single tune with some variation or more than one tune
- Steady rhythm
- Some evidence of playing for/with the dancers
|
7 |
- Kit appropriate for the dance
- Some inconsistency of neatness
- Untidiness at beginning (shirts hanging out, etc)
- Some dancers smile
|
| 6 |
+/-
|
6 |
+/-
|
| 5 |
- Single tune played with no variation
- Provides rhythm but adds no drive or lift
- Little attention to the dancers
|
5 |
- Kit appropriate for the dance
- Shows inconsistency of neatness/colours/style
- Some dancers smile but not confident
|
| 4 |
+/-
|
4 |
+/-
|
| 3 |
- Single tune played with no variation
- Some slips in pace and rhythm
- No attention to the dancers
|
3 |
- Kit not matching
- Little thought to look or colours
- Some dancers smile but not confident
|
| 2 |
+/-
|
2 |
+/-
|
| 1 |
- Poorly played or poorly chosen tunes
- Little sense of rhythm or drive
- No attention to the dancers
|
1 |
- Clothes barely described as kit
- Poorly thought-out/unmatching kit
- Dancers amble on/slouch etc
|
| CHARACTERS | | STEPPING |
| 10 |
- Excellent routine which is skilfully tailored to the audience and venue
- Makes an invaluable contribution to the overall performance
- Lifts dancers and draws in the audience throughout the dance
|
15 |
- Sharp walks, precise steps, together, excellent volume
- Same style
- Several changes of rhythm with interesting variations
|
| 14 |
+/-
|
| 9 |
- Good, well thought-out routine without detracting from the dance
- Positive interaction with dancers
- Consideration given to venue and how it impacts on routine
- Successfully involves audience for most of the dance
|
13 |
- Sharp walks, precise steps, together, excellent volume
- Same style
- Variation of rhythm, eg. 4s/8s plus train step
|
| 8 |
+/-
|
12 |
+/-
|
| 7 |
- Well thought-out routine without detracting too much from the dance
- Positive interaction with dancers
- Consideration given to venue and how it impacts on routine
- Successfully involves audience for at least 75% of the dance
|
11 |
- Good walks, precise steps, together, good volume
- Same style
- One rhythm only, eg. 4s or 8s - no variations
|
| 6 |
+/-
|
10 |
+/-
|
| 5 |
- Engagement with audience for at least 50% of the dance
- Routine fair to good but can lack inspiration in part
- Can be some detraction from the dance
|
9 |
- Good walks, steps clear & in time, together, good volume
- Same style by majority, ie. 1 or 2 differ
- One rhythm only, eg. 4s or 8s - no variations
|
| 4 |
+/-
|
8 |
+/-
|
| 3 |
- Some involvement
- Acknowledgement of audience at start, but tails off
- Some consistency to routine
- Self conscious
|
7 |
- Walking ok, all stepping, mostly together, average volume
- Same style by majority, ie. 1 or 2 differ
- Most managing rhythm with 4s or 8s clear
|
| 2 |
+/-
|
6 |
+/-
|
| 1 |
- No effort to involve/acknowledge audience
- Lacking initiative
- No enthusiasm or energy
|
5 |
- Walking ok - some out of time, most stepping - 1 or 2 scuffing/faking, not all together, poor volume
- 1 or 2 attempting at a style
- Most managing rhythm in 4s or 8s
|
| |
|
4 |
+/-
|
| |
|
3 |
- Walking out of time, 1 or 2 stepping - most scuffing/faking, very poor volume
- No clear team style
- 1 or 2 in rhythm with an effort made at 4s or 8s
|
| |
|
2 |
+/-
|
| |
|
1 |
- Walking out of time, no clear steps, no volume
- No team style
- No rhythm, eg. 4s or 8s
|
| BUZZ |
| 25 |
- Audience gripped by every figure, ooh's and ahh's during the dance
- Standing ovation at end of dance and on exit of dancers
- Cries of more etc!
|
| 24 |
+/-
|
| 23 |
- Long applause and onlookers continue talking about dance when finished
- Crowd interacts with dancers after dance
|
| 22 |
+/-
|
| 21 |
- Aspects of the dance genuinely impress and surprise crowd with good response during and after the dance with 'did you see that' type of comments
|
| 20 |
+/-
|
| 19 |
- Spectators applaude through out dance and general babble during act
- Lasting atmosphere when finished
|
| 18 |
+/-
|
| 17 |
- People watch dance with interest and react to / with Tommy (Whoosh in Beadnell)
- Build up to tumbles and good response etc
|
| 16 |
+/-
|
| 15 |
- Audience attention grabbed by Tommy, and then keep watching and responding
|
| 14 |
+/-
|
| 13 |
- Crowd showed interest and applause at the end
- Crowd responding out of "politeness"
- Straight back to pre-dance atmosphere
|
| 12 |
+/-
|
| 11 |
- People talking about dance with nods of 'look over there'
|
| 10 |
+/-
|
| 9 |
- People stop talking and pay attention but drift back to talking or drinking
|
| 8 |
+/-
|
| 7 |
- Audience watch dance but do not 'engage' with the performance
|
| 6 |
+/-
|
| 5 |
- People look up and check what's happening but generally exude disinterest
|
| 4 |
+/-
|
| 3 |
- Audience ignore or avoid the dance. No noticeable response at the end of the performance
|
| 2 |
+/-
|
| 1 |
- General feeling of inconvenience from onlookers and relief at end of dance
|
|